Oh my bag!

Dadaist Manchurian plunderphonica

Stock, Hausen & Walkman - Oh my BAG! (Hot Air, 1998)

info

Bascom Lamar Lunsford

This "Minstrel of the Appalachians" performed hundreds of traditional songs and tunes that he learned from family members, neighbors, and other residents of western North Carolina. The breadth of Lunsford’s huge repertoire is represented, including ballads, folk songs, spirituals, 19th-century popular songs, and banjo and fiddle tunes. All tracks were recorded by Brunswick Records in the 1920s or the Library of Congress in 1949. Includes Old Mountain Dew, an original composition which found its way into both oral tradition and popular culture, Swing Low, and To the Pines, To the Pines. 55 minutes. "Hits faster and sweeter than a jug of corn liquor." (New York Post)

HERE

KVLTILATION

III

Ithdabquth Qliphoth, Defuntos, Trasgo, Saaamaaa, Nargaroth, Moonblood, Grenjar, Gormantatinus, Cosmic Church, Vinterriket, Nargaroth, Enemite














IV

Krystoffkristoffiton, Vargv, Christopher LG Hill, Luc Fierens, Amersoeurs, Nekrasov, Spectral Lore, Saaamaaa, Nibiru, Northaunt, Xexyz, Urfaust, Ancient Tundra, Immundus, Andrew Chalk.... and unknown, unremembered Artists of the black Arts

SATIN MASK

Levitate The White House

LOVE CRY WANT (1972)

"A beyond-gone hard/nuclear fusion quartet unlike anything we have going today. Larry Young’s on organ, right around the time of Lawrence of Newark, the singular sensation named Nicholas is on hot-rodded, ring-modulated prototype guitar synthesizer, and the double-drumming clusterfuck of Joe Gallivan and Jimmy Molnieri brings up the rear, situated in the park across from Nixon’s White House in 1972 and intensely focused, or so the President thought, on making that motherfucker levitate. (He had Halderman shut it down, that pig). Sounds like a weather balloon filled with gasoline rolled over hot coals – pounding freeform jazz/groove/rock that does not – cannot – let up. If you enjoy substances that temporarily alter perception and mindstate, this one just might kill you. Chocolate city meltdown envisioned as Vietnam protest, and every bit as relevant then as it is now."(Dusted)

info/buy @ WEIRD FOREST

Shake Junt Son

LIL' GIN - SHAKE JUNT (1995)

KILL 'EM

Lucifer Rising

BOBBY BEAUSOLEIL AND THE FREEDOM ORCHESTRA: LUCIFER RISING SOUNDTRACK (1981)

"Robert Kenneth "Bobby" Beausoleil (born November 6, 1947, in Santa Barbara, California) is a convicted American murderer and associate of the Charles Manson "Family" who is serving a life sentence. He killed music teacher and fellow associate Gary Hinman on July 27, 1969, and has been imprisoned since his arrest for that crime. He was an aspiring musician and actor at the time that he murdered Hinman."

"In the late 1970s, with the permission of the prison, he composed and recorded the soundtrack for Kenneth Anger's movie Lucifer Rising after Anger's first choice, Jimmy Page of Led Zeppelin, couldn't manage to deliver enough music for the film after three years of waiting, according to Anger." read more

LUCIFER RISING (KENNETH ANGER, 1972)

Tini Zabutykh Predkiv (1964)

"SHADOWS OF OUR FORGOTTEN ANCESTORS" (Sergei Paradjanov)

WATCH (autoplay)

playlist

ऋग्वेद

A historic recording from the Kirana Archive of Indian Classical Music.
Original studio session recorded in New Delhi, February 1968

Pandit Pran Nath - Ragas Of Morning And Night

info

I like it here

"Strapping a video camera to himself as he drives a motorcycle around an island, Palestine harmonizes with the engine, maniacally repeating the phrase, "Gotta get outta here...gotta get outta here..." His chanting voice merges with hte vibrations of the motor, forming an incessant soundtrack that echoes the jarring motion of the camera. Palestine creates a kind of composite instrument in motion as well as an "articulated personal drama" (1976). His stated desire for escape is contained by the boundaries of the island. Palestine was a trained cantor, and he often used his moving body and sustained vocalizing to generate a physical and aural intensity in his musical/video performances of this period." ubu

Keyser Söze

(co-founder of Three 6 Mafia)

666

MEMPHIS HORRORCORE

1995

BOTM

ooooOOH

Boersk Blek Metle

Lugubrum - Albino de Congo (Old Grey Hair, 2008)

HERE

info

Split Skulls

Bastard Noise/The Endless Blockade: THE RED LIST

Big Hard Excellent Fish

A mix by Brian Degraw (GangGangDance) and Oliver Payne

HERE

DBLB

BDG TAPE SOON @ TTT

GGD

Ganger

Glasweigian post-rock, this is the earlier singles and e.p.'s circa 'Hammock Time'. Similar to that band Ui with more kraut-like jams.

FORE (1996)

A Number Of Names

"Historically, this is considered to be the first ever Detroit techno record, released in 1981 a few weeks before Cybotron's 'Alleys Of The Mind'. Musically, it is a strange mash-up between Kraftwerk, Italo and robotic New-Wave, with a quite minimal and raw production."

"Legend has it that the originals were limited to 500 copies, and sold to club members at the Charivari parties held in Detroit c.1981 which this track was written about. A Number of Names changed the spelling to "Sharevari" to avoid any possible conflict with the Charivari party promotors. A lot of party promotors in Detroit around this time (including Derrick May and Kevin Sauderson who were struggling with thier Deep Space parties) were just teenagers, but were still raking in the cash. They were living the dream and buying top designer clothes and flash cars. This track epitimises that dream for those teens who otherwise lived in a harsh environment."

"The catalog number of this release is a nod to the Porsche 928. The song "Sharevari" sings the praises of that car, as well as L'Uomo Vogue, GQ, car cassettes, cigarettes, bread, cheese, fine white wine, and just about everything else Northwest Detroit party boys aspired to in 1981." (Discogs)

A Number Of Names - Sharevari 12"

THE VSS

"To this day, The VSS is commonly known for two things, 1) its inventive use of horror-film keyboards, angular guitar, unusual rhythmic shifts and vocal effects in creating a dark, jarring sound that merged punk, goth, psychedelia and experimental rock, and 2) its "crazy" light show, an unprecedented notion for the underground basement show set. These two components are said to be highly influential on the aesthetics of myriad bands to follow in the decade since the band's demise. Of course, the synthesizer was nothing new in punk rock. It was a key component in 60s garage rock, as well as late 70s post-punk/new wave. However, by the mid-90s, the synthesizer was such anathema to musicians still reveling in the faux-grit of grunge, that to the members of The VSS, adding keyboards to underground noise-punk seemed the perfect prescription for what had become a staggeringly dull scene."

LIVE @ GILMAN ST: 11/8/96

taken from a great post on The VSS at Pukekos.org

ROAR power

TUG ON IT

Unsocial Sociability

Magneto-Conga

Tedddyyyy

Grime instrumentals from Rinse.FM DJ. Hld tyt, ARD!

HERE

MYSPACE

Jim Daytona

Found sounds from the Reptilian mothership or Draco Shop Bop?

Lamborghini Crystal - Alien Microwave CD-R (2007)

PIZ BUIN

MUSCLEWORKS INC

Stai manzo

Not dissimilar to Gastr Del Sol

Roberto Cacciapaglia - Sei Note In Logica (1978)

HERE

INFO

(handed down from the gods of hipinion)

Amnesia removal

Jordan Maxwell - Egypt in the New Millenium (1999)


Here's my other blog full of weird shit (not music). Ive been using it to pass on links to a few friends; undoubtedly not everyones cup of tea but of course you can check it out if you want.

BURP

SIXX

Death Rock from pre-VON band SIXX, their demo from 1991

Sister Devil Demo (NWN!, 2009)

HERE

NWN!