March 17, 2013


In regards to the post below, if you like hardcore, grindcore or powerviolence you'd be a fool to bypass Monkeybite zine, this first issue was a beast and so were the others!!

Monkeybite #1

Monkeybite #2

Monkeybite #3

CxA live Flexidisc 8" (Rebound Records, 1990)...

Their bio:
CITIZENS ARREST was a Hardcore band from New York that existed during the late 80's / early 1990's. The band members all met and grew up in the old NYHC CBGBS scene eventually ending up as a band on the lower east side at Abc No Rio. We played tons of shows, kicked ass, recorded a demo, 7" ep and a full length album. Unfortunately the band split up for good due to musical differences but the legend of CXA remains. Members of Citizens Arrest went on to other bands like Taste of Fear, , One Sided War, Funebrarum, Forced Expression, Hell No, Moses etc.... KEEP HARDCORE PUNK ALIVE!



Also go read an interview with CxA in this zine from 1989, In Memory Of #4


if you fancy it, read this mammoth interview on New York Hardcore 1986-1993 (featuring Daryl Kahan of Citizens Arrest)

March 14, 2013

The Decalogue (Krzysztof Kieślowski, 1988-1989)

10 part series originally made for Polish television... one-hour dramatizations loosely based on the Ten Commandments. In either dosage, Mr. Kieślowski's ambitious fresco offers a profound vision of human fallibility. Each film is a self-contained whole, but because of the interlocking structure major characters from one episode pop up in the background of others. The films are further linked by locale (all take place in the same Warsaw apartment complex); a haunting score by the composer Zbigniew Preisner; and an unnamed young man who appears silently, momentarily and inexplicably in each episode.

A good description of The Decalogue is it’s a larger examination of smaller unsolved issues we all carry around in ourselves. Most of the problems could have been avoided if the character's had made different decisions. Kieslowski gives cinematic voice to ethical problems in a way perhaps that no other director has. The Decalogue series debates with itself, a discussion of fundamental life issues, which only ideologists and moralists have bow-tied solutions for, but which people in general can agree on are extremely complicated dilemmas.

"It comes from a deep-rooted conviction that if there is anything worthwhile doing for the sake of culture, then it is touching on subject matters and situations which link people, and not those that divide people. There are too many things in the world which divide people, such as religion, politics, history, and nationalism. If culture is capable of anything, then it is finding that which unites us all. And there are so many things which unite people. It doesn't matter who you are or who I am, if your tooth aches or mine, it's still the same pain. Feelings are what link people together, because the word 'love' has the same meaning for everybody. Or 'fear', or 'suffering'. We all fear the same way and the same things. And we all love in the same way. That's why I tell about these things, because in all other things I immediately find division." Krzysztof Kieślowski


March 10, 2013


This was a concert video released thru Sonic Death, filmed on January 5th, 1985 in the Mojave Desert. This was SY's first west coast excursion, and one of the first shows performing the Bad Moon Rising material. It was filmed on 2 cameras by a couple guys from Flipside. It's actually not quite the entire show -- "Ghost Bitch" is missing between "I Love Her All The Time" and "I'm Insane" (you can see Lee w/ the acoustic guitar momentarily).

Lee's write-up:
GILA MONSTER JAMBOREE: This gig, January 5, 1985, 100 miles out into the Mojave Desert, was our first "L.A." gig, first time we'd played on the west coast, part of an airplane tour from Seattle on south. That picture of us "in the back of a Chevy" on the Death Valley '69 12-inch is also from this trip. The gig was organized by one Stuart Sweezy, now of Amok Press (check it out!), who had this penchant for strange locations -- Minutemen and Meat Puppets on a barge on the S.F. Harbor, another desert gig with Einsterzende Neubauten... your ticket entitled you to a map to the gig site which was not handed out until the morning of the show (to prevent scans). Else you could buy a place on one of the buses hired to transport those transported souls with better things to do than cope with the road. The gig started early in the day with Psi-Com, which featured a barefoot Perry Farrell skanking in the sand and waxing poetic. Redd Kross followed, and by the time we went on it was about twilight. These songs were mostly brand new at the time, from the as-yet unreleased Bad Moon Rising LP. We'd waited a long time to make it west, and this was a pretty perfect introduction. Bob Bert was on the drums with us at the time. The cover photo, by someone named Alan Peak, all trails and blurr, sums up the occasion quite well. Band portrait by Naomi Petersen. This video was shot by the folks at Flipside Magazine. After us came the Meat Puppets, who played on into the night as the desert cold set in, under a big ring around the moon.

Peace! LR*

1. Brother James
2. Kill Yr Idols
3. Brave Men Run
4. Death Valley '69
5. I Love Her All The Time
6. I'm Insane
7. Flower
8. Burning Spear